Jakub Gierszal: Finds fame in 'Room'

Jakub GierszalSoon to finish the nation's Theater Academy of his native Krakow, 23-year-old Jakub Gierszal made his screen debut in 2008, in Jacek Borcuch's "Everything I Really Like,Inch and adopted it annually later having a supporting role in Andrzej Kondratiuk's "A Million Dollars."However it was his first lead role, because the wealthy, sexually conflicted Dominik in Jan Komasa's "Suicide Room" (which preemed in Panorama finally year's Berlinale) that powered him to worldwide attention.Since that breakthrough, he's toplined in Piotr Mularuk's "Yuma" (in publish), and it is focusing on "Lasting Moments" for Borcuch, opposite The spanish language thesps Angela Molina and Juanjo Ballesta."I love watching old movies and also the veterans of filmmaking," Gierszal states. "And That I really idolize personas who're known today as 'classics' -- people like Marlon Brando, James Dean, Robert P Niro. However the most powerful affect on myself was among my instructors in the drama school I attended in Krakow, due to the initial ability he needed to title the precise mental process happening as i was onstage." As is appropriate for his somewhat peripatetic upbringing -- he spent a part of his childhood in Hamburg, and lives between Krakow and Berlin -- he's intrigued by travel, and also the chance for artistic collaboration it offers: "For me personally, it is extremely vital that you meet up. To utilize supportive people, to collect together to prevent reality as it were and then try to create something that could be interesting, astonishing, touching or whatever."With no people I have met, I would not function as the guy that i'm today. The wider the plethora of your actions, the greater you're able to learn. This is exactly why I'd really appreciate the chance to operate outdoors home country."Go back to the Berlin Preview >> Contact the range newsroom at news@variety.com

'Book of Mormon' Star Lands Lead in NBC Comedy From 'Glee' Duo

Andrew Rannells may be going from Broadway to NBC."It of Mormon" Tony nominee has inked a talent deal with 20th Television and NBC which will see him star inside the untitled combined family comedy from "Glee" co-creator Ryan Murphy and also the year 3 scribe Ali Adler.The only real-camera project, known to love a comedy of a gay couple as well as the lady who becomes their surrogate simply because they start a family, showed up within the network getting a substantial penalty commitment carrying out a multiple network investing in an offer war.Murphy and Adler are professional creating and penning 20th Television the script for your project alongside Dante Di Loreto, who also produces Murphy's Foreign exchange horror anthology "American Horror Story." Murphy will direct the pilot should it proceed. An option round the status in the project is predicted soon.Rannells and also the "Book of Mormon" co-star, Josh Gad, each acquired Tony nominations for roles inside the Broadway production. The theater veteran, whose credits have "Hairspray" and "Jersey Boys," may even guest star on HBO's approaching Lena Dunham comedy "Women." The Hollywood Reporter

Katy Perry Wins Large at People Choice Honours &mash But Doesn't Attend

Katy Perry Katy Perry was absent within the People Choice Honours (don't get worried - she gave fans a handles via Twitter) but nevertheless ended up the big champion. The 27-year-old pop star emerged victorious in five groups - Favorite Guest TV Star, Favorite Female Artist, Favorite Song of year, Favorite Music Video and Favorite Tour Headliner.Photo Gallery: People Choice Honours Red-colored-colored Carpet arrivalsHarry Potter As Well As The Deathly Hallows: Part 2 appeared to become a stand-out taking home four honours.See the list for your relaxation in the individuals who win at Wednesday night's People Choice Honours: Favorite Daytime TV Host:Ellen DeGeneres Favorite TV Comedy Actress:Jum Michele Favorite TV Drama Actress:Nina Dobrev Favorite TV Comedy Actor:Neil Patrick Harris Favorite Pop Artist:Demi Lovato Favorite Comedy Movie Actor:Adam Sandler Favorite Celebrity Under 25:Chloe Sophistication Moretz Favorite Band:Maroon 5 Favorite Album of year:Produced Using This Method, Rhianna Favorite TV Celebrity Reality Star:Kim Kardashian Favorite Book Adaptation:Harry Potter As Well As The Deathly Hallows: Part 2 Favorite Drama Movie:Water for Tigers Favorite Cable Tv Drama:Pretty Little Liars Favorite TV Drama Actor:Nathan Fillion Favorite TV Crime Drama:Castle Favorite Comedy Movie:Bridesmaids Favorite Late Evening TV Host:Jimmy Fallon, Late Evening with Jimmy Fallon Favorite Cable Tv Comedy:Hot in Cleveland Favorite Movie Superhero:Thomas Reynolds as Eco-friendly Lantern Favorite Movie Icon:Morgan Freeman Favorite New TV Drama:Person of curiosity Favorite New TV Comedy:2 Broke Women Favorite Network TV Comedy:The Way In Which I Met Your Mother Favorite Network TV Drama:Supernatural Favorite Movie Actor:The Actor-kaira Pitt Favorite TV Competition Show:Americanidol Favorite Sci-Fi/Fantasy Show: Supernatural Favorite Action Movie:Harry Potter As Well As The Deathly Hallows: Part 2 Favorite Action Celebrity:Hugh Jackman Favorite TV Guest Star:Katy Perry, The Way In Which I Met Your Mother Favorite Comedy Movie Actress: Emma Stone Favorite Ensemble Movie Cast:Harry Potter As Well As The Deathly Hallows: Part 2 Favorite Animated Movie Voice:The Actor-kaira Pitt as Rango, Rango Favorite Male Artist:Bruno Mars Favorite Female Artist:Katy Perry Favorite Song of year:In the.Funds t., Katy Perry featuring Kanye Favorite Stylish Hop Artist:Eminem Favorite R&B Artist:Beyonce Favorite Country Artist:Taylor Quick Favorite Music Video:Last Friday Evening (T.G.I.F.), Katy Perry Favorite Tour Headliner:Katy Perry

U.S. drives French exports

PARIS -- Jaume Collet-Serra's "Unknown" shown the most effective French film export a year ago -- no less than judged by theatrical gross -- since the U.S. once more drove Gallic B.O. takings outdoors France this season. Moving off a $63.6 000 0000 U.S. trawl -- a sign, like 2008's "Taken," of "Unknown" star Liam Neeson's Stateside cachet -- the Studiocanal co-produced identity thriller made a complete 77.9 million ($99.7 million) off 29 areas, according to stats introduced Thursday by French export org Unifrance. "The Three Musketeers" ranked No. 2 in worldwide B.O. earnings with $74.millions of, EuropaCorp's Zoe Saldana actioner "Colombiana" third ($68.7 million) and Pathe's "Nothing to Declare" ($19 million) fourth. The U.S. taken care of in many for 36% of French B.O. overseas. Total worldwide B.O. for French movies powered up this season by 19% to $518 million, on 2009 ($448 million) and 2010 ($433 million), however, many way missing 2008's $540 million, a best-ever result since Unifrance began tallying results in 1990. While using La Petite Reine-produced "The Artist," SBS's "Carnage" and Gaumont's "Intouchables," now catching fire in foreign locations, and showing there is a crowd beyond France for a number of films from accessible arthouse to edgy auteur mainstream to crowd-pleasing dramedy, France's film industry can claim having a couple of confidence it's riding the current recession virtually. 2011 stats have to be qualified, however. As Unifrance report itself highlights, worldwide B.O. on French-language photos walked 28.5% this season. France's finest two earners were minority co-productions. Theatrical is really a factor, sales agents' earnings another. According to French CNC film agency stats launched lately, Gallic sales agents' revenues on French film exports rose a muscular 26.1% this season to $225.2 million. But 2011 revenue figures won't maintain for a number of several days. Once the U.S. was the finest single industry for French photos a year ago, in addition, it absolutely was the most costly in prints and advertising needed to produce a French film wide there. EuropaCorp paid out $30.7 million a year ago for U.S. P&A on "Colombiana," it recognized within the latest financial report. No surprise many French sales reps want to extract in the relaxation around the world before addressing problematic distribution inside the U.S. Contact the number newsroom at news@variety.com

Burns to mind Celestial Tiger

SHANGHAI -- Former The new sony Pictures Television professional Todd Burns is revisit the biz as topper of Celestial Tiger Entertainment, the Asian media company released recently by Celestial Pictures, financier Saban Capital Group and Lionsgate. Burns will drive Celestial Tiger's core companies of top quality pay Television channels, article marketing and content distribution across Asia and beyond, the organization stated inside a statement. He spent 17 years at The new sony Pictures Television, where he offered most lately as executive veep for Asia-Off-shore systems. Burns continues to be hired prexy and chief operating officer, while Tiger Gate Boss William Pfeiffer will assume an advisory position. "Todd's experience, accomplishments and associations in Asia and beyond is the leadership we're searching for to assist realize our goals for Celestial Tiger Entertainment," stated Adam Chesnoff, prexy and COO of Saban Capital Group and chairman from the board of company directors of CTE. The business's senior management team, based at its Hong Kong headquarters, includes Erectile dysfunction Stansfield, chief finance officer and senior veep of economic development Ofanny Choi, executive veep TV Systems, and Wendy Reeds, executive veep, content sales and distribution. Also around the management team are Andy Chang, senior marketing veep, and Jef Lim, mind of programming and production. Burns stated: "Celestial Tiger Entertainment is distinctively situated as Asia's biggest regional pay TV broadcaster devoted to Asian entertainment." Contact the range newsroom at news@variety.com

Universal plans 100th anniversary corrections

Great news for fans of classic filmmaking, as Universal has introduced it will likely be rebuilding and re-delivering a glut of seminal movies to celebrate the studio's 100th anniversary.The studio is going to be sprucing up 13 of their most beloved game titles, using the full list including All Quiet Around The Western Front, The Wild birds, Buck Privates, Dracula (1931), Dracula (The spanish language language), Frankenstein, Jaws, Schindler's List, From Africa, Pillow Talk, Bride Of Frankenstein, The Sting and also to Kill A Mockingbird.The celebration will start using the discharge of To Kill A Mockingbird on Blu-ray later this month, although the relaxation from the game titles is going to be extensively restored and launched throughout every season.Common has additionally remodeled its company logo design to mirror the centenary festivities, and also the new image can look before all Universal releases from March let's start."Our centennial is made to bring special reminiscences to longtime movie enthusiasts and fans, and also to engage new audiences with this remarkable library of films the very first time,Inch stated Universal COO Ron Meyer. "Our goal, a century later, would be to preserve, restore and continue the legendary legacy of the studio for decades in the future.Inch

The Great Wife: Parker Posey and Amy Sedaris Coming back For Star-Studded Sweeps Episode

Parker Posey, Amy Sedaris Parker Posey and Amy Sedaris, who play Eli Gold's ex-wife and work rival, correspondingly, will go back to The Great Wife inside a special sweeps episode which will restore most of the legal drama's greatest guest stars, TVGuide.com has confirmed. Rita Wilson, Edward Herrmann, The Large C's John Benjamin Hickey, Renee Elise Goldsberry and Jack Contractor will all reprise their roles within the same hour, as first reported by Entertainment Weekly. The Great Wife exclusive: Court is in session for Denis O'Hare Denis O'Hare, whose return was formerly reported by TVGuide.com, will even go back to the bench as Judge Abernathy for the reason that episode, set to air February. 19. Frequent Glee guest star Jonathan Groff will even appear. Within the episode, Lockhart & Gardner lead a category action suit against an application company that allow the Syrian government "disappear" U.S. people. The Great Wife airs Sundays at 9/8c on CBS.

Colleges reduce cost of sportscasts

With sports rights fees going through the roof, few are benefiting more than those with college football and basketball to sell. But for the so-called minor collegiate sports -- including everything from baseball to soccer, women's softball to lacrosse -- the playing field is tilting toward a stripped-down, do-it-yourself production model. Historically, athletic departments have taken rights fees and relied on outside professionals -- whether they be regional sports networks, local television stations or national broadcasters -- to do everything from camerawork to beaming transmissions from satellite trucks. And while universities aren't about to give up the most lucrative paydays for their big-ticket sports, they are increasingly taking matters into their own hands everywhere else. Oklahoma U. is at the top of the class in the DIY trend. Its television production capabilities for live athletic events would be the envy of many RSNs; the school recently completed a $5 million upgrade that includes two control rooms and state-of-the-art equipment. This gives its 60-person-plus inhouse staff (most of them students) the ability to create high-definition telecasts from any venue on campus. As a result, OU directly produces approximately 60 sporting events, including track and field as well as baseball and softball, for broadcast on Cox Cable's CST network in Oklahoma City and Tulsa as well as other regional affiliates around the state. "If we weren't producing, we would have 20 games on (TV) that are contracted by our rights holders and that's it," says Brandon Meier, Oklahoma U. assistant athletic director for broadcast operations. But by lowering the production overhead, OU hasn't had difficulty convincing outlets to run another 40 or so events. "We hire students and they help keep the cost of production down," Meier says. "And we don't have to tear down completely after a telecast if we are going to do, say, five straight games." Even for institutions without sophisticated video infrastructure, it is possible to take control of production and cut costs significantly. Earlier this year, sports media consultant Tom Buffolano convinced Rice U. and Conference USA he could deliver a high-def broadcast of a three-game baseball series between Rice and the U. of Memphis at a fraction of the cost regularly required by an RSN or local broadcast station. Normally, production costs would range between $45,000 and $75,000 for a single game, but Buffolano successfully produced all three matchups for around $45,000, with two of the contests airing on cabler CBS Sports Network. Savings were realized by avoiding the use of a production truck (that work was done from a box inside the stadium) and a satellite (they were able to send the feed through an Internet provider). Universities getting into the production game aren't seeing returns on investment anywhere near those of the big conference television deals like the Atlantic Coast Conference's 12-year, $1.9 billion agreement signed last year with ESPN. Yet bringing production inhouse hasn't been a money-losing venture when done on a scale like Oklahoma and, more important, it gives schools the ability to get exposure for minor sports. "Rice baseball has traditionally been a national powerhouse," Buffolano says. "Conference USA and Rice didn't have a TV contract in place that would get Rice baseball or Conference USA baseball on the air. The (claim) was it was cost prohibitive, but that didn't make any sense. Using the high-def, low-cost model for local over-the-air TV stations or regional sports networks can solve that problem." One concern these deals present is how the use of college students -- who are becoming increasingly involved in all facets of these productions -- might reduce opportunities for behind-the-camera professionals. Buffolano, however, says that the DIY telecasts present games that might never otherwise be aired, and adds that, inasmuch as students generally can't handle all aspects of a production, the broadcasts can create jobs for below-the-line freelancers. "There is absolutely no downside to this," Buffolano says. "When it comes to creating a high-quality, lower-cost economic model, you still need (professionals). While students are becoming more involved, they are not as experienced as people who have been doing (a job) for 15 years. You still need those experienced directors, cameramen (and) sound mixers." nNevertheless, on a smaller scale, some production will completely bypass outside professionals. At the U. of South Carolina, the athletic department, like most major programs, is crafting reality-based streaming video shorts about various sports programs for the Internet. Last year, students working with the school's Gamecock Prods. created a series of five- to seven-minute features on the school's new softball coach, Beverly Smith. Following the series' Internet run, season ticket sales skyrocketed by 311%. Buoyed by that success, South Carolina recently produced a pair of shows on their men's and women's soccer programs that caught the attention of Fox, though a deal to air them could not be finalized. Paul Danna, director of South Carolina's Gamecock Prods., believes there is a future for his school's product on television Many schools appear keen to expand their efforts, according to Buffolano. For most, that means edging into producing live events. But even at a school like Oklahoma where they consistently do just that, there's room for growth. Meier hopes to produce more pre- and post-game programming and ramp up the production of documentaries and other longform fare. "There is always other content that goes untapped," Meier says. "We want to utilize all the access we're given." Contact the Variety newsroom at news@variety.com

'Friday Night Lights' lands at BSkyB

LONDON -- U.S. TV drama "Friday Night Lights," a double winner at the Emmys, has finally found a home in the U.K. Skein is to bow on satcaster BSkyB's upscale Sky Atlantic channel late February. The paybox secured all U.K. TV rights for the first two series of "Friday Night Lights" from NBCUniversal International Television Distribution. Lauded by critics in the U.S., the sports drama, first screened in 2006, was never a big ratings winner. Show follows the exploits of a fictional high-school football team, the Dillon Panthers, and was praised for its deft handling of difficult subject matter, such as bereavement. "Friday Night Lights" was only saved from the ax following a production deal between NBCU and DirecTV. At the Emmys, Kyle Chandler won best lead actor for his role as coach Eric Taylor, while exec producer Jason Katims triumphed for his script penned for the series' finale. On Sky Atlantic, "Friday Night Lights" joins a schedule that includes such high-end U.S. fare as the delayed fifth season of "Mad Men," season two of "Game of Thrones" and the fourth season of "Nurse Jackie." Contact the Variety newsroom at news@variety.com